IIARD International Institute of Academic Research and Development

International Journal of Agriculture and Earth Science (IJAES )

E- ISSN 2489-0081
P- ISSN 2695-1894
VOL. 10 NO. 8 2024
DOI: 10.56201/ijaes.v10.no8.2024.pg.72.80

---

Integration of Acoustic and Sound Control in the Design of a Centre for Performing Arts

Nwiwure, Samuel Barineme; Arc. Paul Uchenna

---

Abstract

This study is focused on acoustics, interrelationship and design of performing spaces which is concerned with the production, control, transmission, reception, and effects of sound in spaces such as theatres, halls, auditoriums, etc. Through design guidelines, codes and standards with research studies to analyse the various characteristics of spaces for specific or multipurpose use and its relationship to the users of the facility. Hence this body of work is aimed at proposing a centre for performing arts in Port Harcourt city, Rivers State, Nigeria as a result of under development of such spaces for performing arts form. The prospect of a centre for performing arts in Port Harcourt city would revitalize the state, and project into a global platform through clearly defined spaces intended to house performing arts forms for both performers and spectators, this is necessary in sustaining the art forms and cultural heritage of the people of Port Harcourt. Also this research seeks to strike balance between the culture of the people and the international standard of performance spaces through articulate and architectural approach. In the course of this study, elements from existing performance spaces as that of for which the project is being planned will be studied through case studies, local and foreign case studies will be reviewed as guide for the development of this research. However, caution and careful considerations will be given as to the recommendations for this project with respect to environmental factors and climatic conditions. Finally, the expected outcome of this research work will be a purpose built centre for performing arts that is indigenous through architectural approach of optimizing and enhancing spatial configuration.

---

References:

African Theatre in Development (1999) and the Cambridge: Guide to African and Caribbean
Theatre (2004);
An introduction to Architectural Design: Theatre & Concert Halls, Part 1 (2004).
Anheuser-Busch Execution Lobby, Blanche M. Touhill Performing Expressions Centre, College
of Missouri, St. Louis, MO, USA
Evans, Jack B., (1999). ?Acoustical Noise Control Recommendations for Building
J. Paul Guyer, P.E., R.A., Fellow ASCE, Fellow AEI
KARIN Hairdresser, JOHN COLLINS, and ALAIN RICARD, West
Known well known Theatre (1997);
Mechanical Systems 904?, JEAcoustics,
New York. 233-304.
Martin Banham (Ed.), A Past Filled With Theatre In Africa (2004);
(Eds.) Martin Banham Et Al.
PENINA MUHANDO MLAMA, Culture and Improvement: The Well-known Performance
centre Methodology in Africa (1991);
Sangjun Lee (2003) Comparative Analysis of Speech Intelligibility In
Church Acoustics Using Computer Modelling
Schroeder, M., Gottlob, D. & Siebrasse, K. (1974, October). Comparative Study of European
concert halls correlation of subjective preference with geometric and acoustic parameters.
J.Acoust.Soc.Am.,Vol.56,No.4, 119-125.
Siebein, W. & Cann, G. (1989). Acoustical Modeling Workshop, A Workshop presented at the
ACSA Summer Institute on Energy and Environmental Controls
Siebein, W. & Crandell C., Gold A. (1997). Principles of Classroom Acoustics. Reverberation.
Educational Audiology (Monograph 5).
Siebein, W. & Kinzey, Y. (1999). Architectual Acoustics. John Wiley & Sons, Inc.
Siebein, W. (2002). Acoustical Design Issues in Contemporary Worship
Spaces. Siebein Associates, Inc., Gainesville, FL.
Ward-Perkins, J. B. (1994). Studies in Roman and Early Christian Architecture. London: The
Pindar Press. Pg. 455–456.
Wilson, C.E.,(1989). Noise Control, Harper & Row Publishers, New York

DOWNLOAD PDF

---

Back