Religion and Performance: Context, Nexus, Convergences, and Divergences
Abstract
This study examines the intersection of religion and performance across Christianity, African Traditional Religion (ATR), and Islam, exploring how religious traditions incorporate performative elements while maintaining theological boundaries. The research identifies convergence in ritual enactment, musical and oral traditions, and sacred spaces, while noting divergences in theological intent, attitudes toward dramatic representation, and audience participation. ATR fully integrates performance within its religious framework, Christianity exhibits varying degrees of engagement, and Islam maintains stricter boundaries while embracing performative aspects, such as the physical movements and vocal intonations of prayer and recitation. [cite_start]Using qualitative methodology and comparative analysis of literature from religious studies, theology, anthropology, and performance theory, this study demonstrates that religious performances serve theological, communal, and transformative functions beyond aestheti... [cite: 5]
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