Stylistic and Interpretative Considerations in The Work Scaramouche for Saxophone and Piano by Darius Milhaud

Bogdan CONSTANTIN; Doru ALBU

doi:10.56201/ijrcp.v9.no4.2024.pg149.165

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Stylistic and Interpretative Considerations in The Work Scaramouche for Saxophone and Piano by Darius Milhaud

Bogdan CONSTANTIN, Doru ALBU

Abstract

Saxophone is an atypical musical instrument, as it is one of the few instruments used in all music genres. In France it is granted a double identity, situated at the boundary between classical music and jazz, although it is the instrument that lends itself to all existing forms of classical and folk music. Thus, it passes through: late romanticism, impressionism, neoclassicism, atonal music, serial music, expressionism, contemporary music, jazz, pop, rock, punk, folk music. It was precisely this plurality that ensured the popularity of the saxophone (Berendt , 1963).

Keywords

saxophoneFranceatypicaljazzidentity

References

1. Bartolozzi, B., (1967). New sounds for woodwinds, Oxford University Press Berendt, J. E., (1963). Le jazz des origins à nos jours, Petite bibliothèque Payot, Paris Delage, J. L., (1992). Adolphe Sax et le saxophone: 150 ans d'histoire, Josette Lyon, Paris Fennell, F., (1954). Time and the Winds, Leblanc Publications, Brussels Grove, G., (1954). Grove’s Dictionary of Music and Musicians, 5th Edition, New York: St. Martin’s Press Londeix, J.M., (1989). Hello! Mr. Sax, Alphonse Leduc & Cie, Paris Rorive, J. P., (2004). Adolphe Sax Inventateur de genie, Editions Racine, Bruxelles https://www.saxontheweb.net/threads/milhaud-scaramouche.19517/

Stylistic and Interpretative Considerations in The Work Scaramouche for Saxophone and Piano by Darius Milhaud

Abstract

Keywords

References

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