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A Feminine Viewpoint of the Northern Nigerian Woman as a Writer in An Abundance of Scorpions

By Hadiza Isma El-Rufa’i, Balkisu Abubakar Kigo

Abstract

The Nigerian woman writer has focused her energy on creating stories of women experiences in relation to other aspects of their lives. The Nigerian woman writer is also determined to face many challenges and obstacles that she might come across, hence her venture into new territories. The Northern Nigerian woman writer is no exception in this regard. She has been paying attention to matters relating to the society and those that relate to the woman. The new vision of the Northern Nigerian woman writer is that of power, beauty and endurance in creating powerful characters. It is against this background that this paper surveys Hadiza Isma El-Rufai’s novel, An Abundance of Scorpions from a feminine viewpoint with the aim of showcasing the new strides taken by the Northern Nigerian woman writer.

Keywords

FeminismNorthern NigeriaWomanWomen Writers

References

Alkali, Z (2016). Invisible borders. Ibadan: Kraft Books Limited. …….. (1986). The virtuous woman. Lagos: Longman. …….. (2007). The descendants. Zaria: Spectrum Books Ltd. ………. (2012). Gender politics and sexual dynamics, imaging men in African women’s writing: The quest for identity and integrity. In Y. Ahmed & A. Saeedat (Eds.), Gender politics. women’s writings and film in northern Nigeria(pp.11-20). Ibadan: Kraft Books limited. ………… (1984). The still born. Lagos: Esio Printers. ………….. (2016). Invisible borders. Ibadan, Nigeria: Kraft Books Limited. El-Rufai, H.I. (2017). An abundsance of scorpions. Lagos, Nigeria: Ouida Books. Isiah, A.A (2012). The perspective of tradition and religion in northern Nigerian women. Zainab Alkali’s the virtuous woman. In Y. Ahmed &A. Saeedat (Eds.) Gender politics. women’s writings and film in northern Nigeria(pp.86-93). Ibadan. Kraft Books Ltd. Ojinma, U & Egya, S. (2005). The writings of Zaynab Alkali. Abuja. Ron Publishers. Yakusak E. (2016). After they left. Kurdan Books.

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